Referring to Iago’s soliloquy at the end of Act I scene III, examine what Shakespeare shows the audience about his character

Iago is one of the central eccentrics within Shakespeares Othello and is introduced extremely wee in the knead, Act I scenery I. It is generally assumed from even this early in the play that Iago is cunning, p big moneyting man as he converses with Rodrigo. Throughout the centuries the roughhewn opinion on Iago is that he is an insidious, misogynistic, materialistic, dissimulating character, among other things. Few critics have speak in appraisal of Iagos character and actions.In act I scene III, Iago ends the scene with his first soliloquy. Soliloquies generally reveal a lot roughly a persons character to the audience, yet this is the first time the audience gets a taste of his thoughts. He begins by discussing RodrigoMy fool my purseThis is particularly dissimulating as he had just been talking to Rodrigo, protrudening how to match make him with Desdemona. This is a rivulet theme, Iagos manipulating, and two-faced voltaic pileings. This links withThat thinks men honest t hat but perk upm to be soAs Rodrigo is not the lone(prenominal) character in the play that falls for Iagos deceptions.The next part of the soliloquy that reveals a lot about Iagos character is his admittance to using Rodrigo for his own benefitsBut for my own sport and profitIago sess use Rodrigo using his manipulative powers of speech, he deceives Rodrigo to gain money take away him and use it for his own needs rather then on the undertaking it was intended for. By referring to this task as a sport it in addition implies that Iago receives few pleasure from deceiving race, that he reigns this fun and does this for his own fun. The audience is left questioning his character and feels sympathetic for the other characters involved in Iagos deception.Iago then reveals a possible motive for his inexcusable behaviorthat twixt my sheetsIago thought that at virtually point Othello had cuckolded him, led Emilia astray from their marital bed. Iago displayed the same reply that m ost men would, and so felt betrayed and angry, although he did not retire for sure that the act occurred. This is a good argument against Coleridges critical stimulation on his actions. He described his actions asMotiveless malignity.This does appear to be the case, to a certain extent. Especially for a modern day audience, we find it harder to accept that Iago would become so nasty to people so near to him, but to an Elizabethan audience it would be more believable without all motive behind him. This part of the speech may not apology his behavior for the rest of the play, but it is a starting point, it gives the audience something to cite to, to begin to justify his actions.Cassio is a proper man with this sense of the word, proper mover handsome rather then suitable. This appears to be a compliment to Cassio, but again Iago is using him for his own means. Iago can use Cassios good looks and post in society to create the allusion of an affair with Desdemona. Othello only be comes jealous because in that respect is something to be jealous of, if Cassio was not handsome and admirable Iago would have energy to create the jealousy from. This is yet other example of Iago using people close to him to gain what he wants.Iago appears to be a character that is trusted, by almost everyone other than Desdemona. She comes across as more suspicious character, as she questions Iago rather then just falling for every word he says. Iago knows that his fellow soldiers and people in society trust him, yet another way in which he can use manipulation as there is grounds for him to manipulate. This is shown when he saysThe Moor is of a free and undecided nature,That thinks men honest that but seem to be soIago actually admits to his double-faced nature, and ridicules Othello for being so trusting. This is the entire base for the play if Iago werent so reliable then Othello would have no reason to believe his accusations of Desdemona. It is this perception that makes the play possible.Othello is Iagos general therefore he should be respected, and not ridiculed, which he is in this soliloquyAs asses are.It is disrespectful for Iago to be referring to his general as a fool, whether he is a Blackamoor or not. This shows that Iago is not a fitting character he does not even have the decency to respect his general, let alone other aspects of his character.Towards the end of the soliloquy, Iago refers toHell and nightWhich would have been a lot more relevant to an Elizabethan audience as it represents the devil and leering behavior. It is ironic that he uses devilish language, as he is associated with the devil due to his evil character. To emphasize this point, he also saysMonstrous birth to the worlds light.This also would have had a greater impact on an Elizabethan audience, and this is only the beginning of the devilish language used by Iago. It was said by William Turnbull thatIago is an unbeliever in, and a denier of, all things spiritual, w ho only acknowledges God, like Satan, to defy him. (Othello A Critical Study, 269)This is proved throughout the play by constant references to the devil, night, unfairness and Iagos actual behavior and attitude to situations.Finally, this soliloquy shows a great deal in its length. Within twenty-two lines, Iago has explained his actions, had no plan and conceived a plan and becomes anxious to begin. This shows his ability to improvise quickly and leaves the audience wondering how a good deal he uses this ability, when he was with Rodrigo? Othello? Cassio?To conclude, Shakespeare uses this particular soliloquy to allow the audience to see what we believe to be Iagos true personality. We learn that he is definitely dissimulating, manipulative, deceitful, and disrespectful, a slanderer and cunning. Before this the audience could only speculate on this and the symmetricalness of his personality as he shows different sides to different people, he has been referred to as an onion and J anus, the Roman god because of his multiple personalities.